Kaki King: Notes and Colours
In high school, Kaki King was too scared to have actual relationships…but she could be in your band.
About Kaki King
Kaki King is an American guitarist and composer. King is known for her percussive and jazz-tinged melodies, energetic live shows, use of multiple tunings on acoustic and lap steel guitar, and her diverse range in different genres.
In February 2006, Rolling Stone released a list of "The New Guitar Gods", on which King was the sole woman and youngest artist. In addition to a 10-year career that includes six LP and two EP albums, King has also scored music for television and film. She worked alongside Eddie Vedder and Michael Brook contributing music for the soundtrack to Sean Penn's Into the Wild, for which the trio received nominations for a Golden Globe Award for Best Original Score.
(from artist’s wiki)
Connect with Kaki King
Though she's not part of any globe-trotting, stadium-shredding, rock band, Kaki King is one of the world's foremost guitarists. Since her 2003 debut, her bold percussive style has expanded notions of what guitar music can both sound and look like. But given all her six-string heroics, the guitar is placed in King's ranking of favorite instruments may come as a surprise.
Kaki King: I'd say drums, drums, drums, drums, bass guitar, bass guitar, guitar.
But as much as she enjoys playing other instruments, the guitar has been King's most constant companion and valuable ally throughout her life and career. Take for instance, the ground-breaking 2015 multimedia performance project, The Neck is a Bridge to the Body, which adorns King's music with striking imagery.
King: It's all about allowing the guitar to tell a broader story. Now we're telling it visually. I want to see a guitar X-ray. I want to see the guitar kind of broken up into chunks, and thrown around a bit and put back together and moved this way and that. We're showing the inside of the guitar. We're breaking it down, we're pulling it apart, we're expanding what it can be.
Such creative curiosity has driven Kaki King since childhood in suburban Atlanta, where she began taking classical guitar lessons at age five. She quickly became devoted to her craft, to the exclusion of other interests, an intensity she learned at home.
King: My generation of women, and especially growing up in the South, it was not normal for a girl to be obsessed with one thing and one thing alone, and only want to do that thing and not have a lot of friends. However, my family, because we're a little bit different, that was fine.
King: My mother is a genius, and my mother had a physics degree by the time she was in her, I think she was 21; Master's degree. When she went to work in the world of coding and working in physics, she was not allowed to rise. She became an activist. She became active in the woman's movement, and that lead her to become a lawyer. So my mother has this brain that is the size of the city. There was no stereotypical ‘this-is-what-a-girl-does’ type of behavior in our household. It was a very feminist household that I was raised in.
King's mother was deeply practical. After founding her own legal practice, she convinced her husband to become a lawyer as well. But Mr. King remained a free spirit, who delighted in his daughter's musicality.
King: He saw that I liked music, that I was good at it at a very young age. He was never any kind of Stage Dad. He never pushed anything on me ever, but he would see me kind of gravitating towards certain things and he would go, “Hmm.” Next Christmas I got a drum set. Wasn't told how to play it, or to play it, or anything like that. Then, “Let's clean out that garage house that's been doing nothing. We'll sound-proof it, so if you want to have a band, you can have a band.” I think secretly he was like, “Please have a band.’
To her dad's great pride, King would go on to play in numerous bands throughout high school. For the painfully shy, then still-closeted young woman, these groups offered a rare chance for social interaction.
King: It was too horrifying and scary for me to have actual real friendships, but I could be in your band, because I could speak a language with you musically that I didn't have to then converse with you. We didn't have to be close, but we could certainly exchange musical ideas. So I was everyone's drummer, everyone's bass player. Over time, the guitar became the thing I did privately.
King studied music at New York University, despite having no real plans to play professionally. On graduating in 2001, she assumed she'd return to Atlanta to start working at her parents' law firm. But then chance intervened. Shortly after 9/11, feeling isolated and aggrieving in a frightened New York City, King brought her guitar into the subway seeking comfort. What she found was a way of life.
King: I just graduated and I also had moved to Brooklyn, away from the city where most of my friends still were. There was just these geographical, psychological, and actual physical barriers. You couldn't travel throughout the city easily. So I was completely alone. I needed connection with humanity. I think that the appreciation people had for me at that time was really overwhelming and really wonderful. People then asked, "Do you have an album, a CD? "Can I buy one?" And I thought, well I might as well make one.
The next five years were a whirlwind for King, with appearances on late night talk shows, contracts with two different record labels, and even a Golden Globe nomination for her work on the score of the 2007 film Into the Wild. Fully consumed by this barrage of success, King's 20s seemed to fly past. Because she was doing so well professionally, it was only in hindsight that she paused to take stalk of the personal costs.
King: I didn't have these years where I grew a social group. I wasn't part of a scene, I wasn't gigging with that person, going to see that show. Because I went from a nobody, 22 year old getting out of school, dealing with a broken world, to being signed to a record label at 23. It set me apart, it was lonely. It was another shot of loneliness.
This loneliness caused King to start drinking heavily, culminating in a stay in rehab at age 31. But today she inhabits her version of herself that she says feels more whole.
King: I know myself to be myself every day. I'm very predictable. I don't have the kind of mood swings. I don't have the kind of substance abuse issues. I don't wake up to a person and not know who that person's going to be. I wake up to myself. I think that's part of adulthood, it's part of parenthood. I have unconditional love. I've never had unconditional love, ever. And feeling that for your children, and feeling the relief of yourself. I don't need to worry about myself because I need to worry about you. Your needs, I'm going to put above mine no matter what. Everything that I go and do, and even if I'm away from you, it's because I'm creating something or making something so that you can have a better life, or a life period, or we can keep the roof over our head. Whatever it is, it is for them. That sounds like such a burden, and such a horrible thing when you don't have children. Then when you do, you're like, Oh what a relief! It's not just about me. I don't have to worry, I'm fine. But I can give something to someone else, and I don't need anything back.
This maternal selflessness was put to the test in 2017 when King's three year old daughter, Cooper, was diagnosed with ITP, a rare autoimmune disorder that caused her to bruise easily and require frequent medical interventions.
King: Fortunately she never felt bad for a day. The only things that made her feel terrible was having to go to the hospital, and having transfusions and things like that. Other than that, none of her bruising was from trauma. So it wasn't like she was being hit, it's just simply, Oh, brush against the couch and a bruise appears. It was terrifying as a parent.
King: I was beside myself with fear.
AJC: It's still a worry.
King: It's still a worry, but she will, I have full confidence that her life will be very unimpacted by this, whether it goes into full remission, whether it's acute case of it, or whether it is something that does last. 'Cause it could.
In late 2017, in order to process and cope with the emotions surrounding her daughter's condition, Kaki King started a collaboration with information designer Giorgia Lupi. Bruises joins her music with Lupi's data visualizations to document Cooper's symptoms, as well as King's reactions to them. The work offers an intimate glimpse into King's experiences and approach she hopes that will offer audiences the same kind of relief that music gives her on a daily basis.
King: Maybe the fact that I allow people a space to come in to a situation, to put their phone down, to watch something and hear something that's magnificent, that gives them a release and a charge, and a catharsis that allows them to continue on. They can go back and they can continue to fight another day, maybe that's just as important.
Today more than three decades after she first picked up the guitar, Kaki King is still searching for ever more interesting ways to strike a chord.